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Fine Arts Quartet - Four American Quartets: Philip Glass, Bernard Herrmann, George Antheil, Ralph Evans (2008)

Posted By: Designol
Fine Arts Quartet - Four American Quartets: Philip Glass, Bernard Herrmann, George Antheil, Ralph Evans (2008)

Fine Arts Quartet - Four American Quartets (2008)
Philip Glass - Bernard Herrmann - George Antheil - Ralph Evans

EAC | FLAC | Image (Cue&Log) ~ 289 Mb | Mp3 (CBR320) ~ 154 Mb | Scans included
Classical, Chamber | Label: Naxos | # 8.559354 | Time: 01:02:25

This recording gathers four string quartets by American composers who are widely divergent in style and manner, and who have made a distinctive and personal contribution to this endlessly re-inventive format. Ralph Evans is more familiar as a performer than composer. Finally completed in 1995, his First String Quartet is written in a non-derivative style, with tuneful melodies, lively counterpoint and piquant harmonies. Philip Glass has completed five mature quartets, his Second Quartet deriving from a theatrical presentation of Samuel Beckett’s prose poem Company. The self-styled ‘bad boy of American music’, George Antheil wrote three string quartets, the third of which is permeated by a folk-music ambience. Best remembered for his film scores, Bernard Herrmann had not released a concert work for 25 years when he wrote Echoes. Its title applies to the thematic connections unobtrusively linking the ten sections of this one-movement piece.

Ralph Evans & Fine Arts Quartet - Enescu: Early Chamber Music (2023)

Posted By: delpotro
Ralph Evans & Fine Arts Quartet - Enescu: Early Chamber Music (2023)

Ralph Evans, Gisele Witkowski, Niklas Schmidt, Fabio Witkowski, Efim Boico, Gil Sharon, Alexander Bickard & Fine Arts Quartet
WEB FLAC (tracks) - 258 Mb | MP3 CBR 320 kbps - 161 Mb | 01:08:31
Classical | Label: Naxos Records

It was in Paris just before the end of the 19th century that George Enescu began to compose prolifically, but it is only in recent years that a number of these scores have emerged. The Piano Quintet in D major is one such work, lost for decades, but which proves to be a robust and elaborate piece reflecting the influence of Brahms. Enescu’s liking for unusual instrumental combinations is another theme of this album, such as the Prélude et Gavotte for violin, cello and two pianos, and the eloquent Pastorale, Menuet triste et Nocturne for violin and piano four hands. Aubade is Enescu’s only string trio, and the ever-popular Romanian Rhapsody No. 1 in the arrangement for piano and string quintet ends the programme with a flourish.