A prolific composer, respected and influential in his lifetime—the Romantic Piano Concerto again turns up trumps with three concertos by Carl Reinecke.

Gordon Jacob’s Piano Concerto no.2 in E flat was completed in 1957 and premiered on 11 July of that year at the Winter Gardens, Bournemouth by the soloist Edith Vogel. A Proms performance took place at the Royal Albert Hall on 9 August 1957 with the same soloist. A review in The Times of the 1957 Proms performance of Gordon Jacob’s Piano Concerto No.2 declared that ‘the composer’s masterly understanding of the orchestra enables him to express each idea economically and in the most clean and attractive colours’, while The Sunday Times’ critic wrote that, ‘having taught the craft of orchestration to a whole generation of composers, Dr. Jacob is himself a past master at clear and effective scoring’.

Smaller concertos for piano and modest orchestral forces were a feature of British composition in the first half of the 20th century. Often they were written for a special occasion, and typically vanished into oblivion thereafter. During the COVID period we were looking for things to record with small numbers of players, and stumbled across this treasury: short concertos written for entertainment that don't outstay their welcome.

In celebration of Ralph Vaughan Williams's 150th anniversary celebrations in 2022, this album will give listeners a full insight into the composer's works for violin and piano, played by Midori Komachi (violin) and Simon Callaghan (piano), who are both internationally noted for their performances and research of 20th-century British music.

Felix Draeseke’s description of Nicodé as ‘more a moderate progressive than a cacophonist’—in contrast to his younger contemporary Richard Strauss—may have been intended as a compliment, but doesn’t begin to do justice to this profoundly enjoyable music, its several influences (most notably Schumann) never far away.