Recorded and filmed at the Rondo Theatre in Bath on 1st April 2007, this live album saw original Stackridge members Andy Davis (guitar, keyboards, vocals), James Warren (rhythm guitar, vocals), Mutter Slater (flute and vocals) and Crun Walter (bass) reunite for a very special concert which was recorded in both audio and video formats. On stage Stackridge was augmented by Glenn Tommey (keyboards), Nigel Newton (lead guitar), Rachel Hall (violin), Sarah Mitchell (2nd violin and vocals) and Andy Marsden (drums). The set that evening comprised many Stackridge classic tracks, along with a selection of material by Davis and Warren’s later band The Korgis.

Digitally remastered and expanded two CD edition. Formed in Bristol in 1969, Stackridge were one of the most unique British bands of the era. Their initial line-up featured Andy Davis (guitar, keyboards, vocals), James Warren (guitar, vocals), James "Crun" Walter (bass), Michael "Mutter" Slater (flute, vocals), Michael Evans (violin) and Billy Bent (drums). Stackridge underwent a series of line-up changes and signed to Elton John's newly established Rocket Records label, releasing the album Extravaganza in 1975. The following year, they recorded their final album of the 1970s, the conceptual Mr Mick. The original version of the album featured a story and narration and was rejected by Rocket Records and the band were forced to prepare a different version of the record for release in 1976. This Esoteric Recordings edition has been expanded to include the original version of the album as originally planned by the band.

Produced by George Martin, The Man in the Bowler Hat continues Stackridge's brand of satiric rock marbled with elements of folk and to some extent, even country. The lyrics are just as witty as in their first two releases, and the poetry glistens with a jovial Englishness that became the band's most identifiable trademark. With Martin's help, though, the album became one of their better releases, as the music rises to the top before the words do, sounding fresher, livelier, and noticeably sharper than both their debut and 1972's Friendliness. Stackridge's best song, "Dangerous Bacon," was released as a single, and it's in this song as well as "The Galloping Gaucho" and "The Indifferent Hedgehog" in which their sound comes alive…