The 2015 compilation Guitar Shredding Heroes is a electrifying tribute to some of the most iconic and virtuosic guitarists in rock and metal history. Featuring legends like Slash, Dimebag Darrell, Mick Mars, George Lynch, Jeff Beck, Steve Morse, Jake E. Lee, and more, this collection is a dream come true for fans of blistering solos, intricate riffs, and the raw power of the electric guitar. Released as a celebration of fretboard mastery, it brings together a diverse array of tracks that showcase the unique styles and technical prowess of these rock guitar titans.

The Magic Numbers is the debut album from English pop rock band the Magic Numbers. It was nominated for a Mercury Music Prize in 2005. Songwriting duties were taken by Romeo Stodart as was much of the musical composition and arrangement. It incorporated the earlier single release of "Hymn for Her" as a hidden track. The album incorporates many folk elements within the main indie sound which resounds throughout. The album also reflects many elements of the writers' early childhood dreams, tales of their love life and desperation of youth. For example, "Love Me Like You", the best known single of the album, illustrates the difference of feeling in their love for each other.

The last of a series of showtune albums recorded by the trio of pianist Andre Previn, bassist Red Mitchell and drummer Shelly Manne finds the all-star group focusing on the music of West Side Story (Previn and Manne alternated leadership, and it was the drummer's good fortune to have the famous My Fair Lady album under his own name). This CD reissue has eight of the main themes from the famous musical, including "I Feel Pretty," "Maria" and "America." As usual, the melodies are treated respectfully yet swingingly, and Andre Previn in particular excels in this setting.

Howlin’ Wolf, John Lee Hooker, Willie Mabon, B.B. King, Dinah Washington, Big Joe Turner, Muddy Waters and many others.

Pianists Martha Argerich and Nelson Freire are stupendous virtuosos, and there's nothing in this recording of their 2009 Salzburg recital of staggeringly difficult works they cannot play. They know each other so well as old duo piano partners that their playing is stunning in its unity, but their distinctive individuality also comes across. What's most impressive about this recital is how completely Argerich and Freire have made this music their own. Brahms' Haydn Variations sound freer and fresher, more playful, and more profound than ever. Rachmaninov's Symphonic Dances are thrillingly rhapsodic, rapturous, and dramatic. Schubert's Grand Rondeau is more lyrical, intimate, and graceful than usual, and Ravel's La Valse more ecstatic and apocalyptically over-the-top frightening than in any comparable recordings, including Argerich's own earlier releases. Captured in wonderfully clear yet wholly present digital sound, the performances on this disc will be compulsory listening for anyone who loves music, any music.

Anekdoten's debut shows them a little rougher, more Gothic in tone, and less tonally subtle than in later years, but compelling nonetheless. From the crashing bass and Mellotron in the opening track "Karelia", it's clear that King Crimson reigns over their work - not to mention that it features riffs nicked from Crimson's "Easy Money." "Wheel" also has the dissonance and horns of the Lizard album. But they are creating something unique here, as the gentle instrumental "Longing" attests. While Anekdoten hadn't quite reached its potential yet - this first album shows a band of great promise.